Category Archives: Music

Where My Heart Will Take Me

This entry is part 7 of 8 in the series The Stages of Spiritual Growth

I thought I would present things slightly differently in this instalment of the series on the Stages of Spiritual Growth. Today, I’m going to present the ideas partly as personal testimony, and partly as a song: the beautiful ‘Where My Heart Will Take Me’, also known as ‘Faith of the Heart‘, from the TV series Star Trek – Enterprise. You’ll hopefully understand the reasoning behind this by the time we get there. And rather than disrupt the narrative flow of this article, I will place the more technical stuff at the end of the article, as an Appendix*.

First, let’s recap.

In the last episode of this series, I talked about ‘The Wall’, the ‘Dark Night of the Soul’, the ‘Individuative – Reflective’ Stage (Stage 4) of Fowler’s Stages of Faith. In this Stage, a person realises that they have been in a spiritual ‘box’ and they find that the box is too small. And so the distinguishing mark of Stage 4 is that the believer is breaking free of all (or most) of the previous strictures under which they lived their spiritual life. They are realising that the paths of Grace and the open plains of the believer’s walk are so much huger, broader, wider and free, than they had previously believed while in their ‘box’.

Because I have recently (well, four years ago) come out of a ‘Dark Night’, much of what I write below is stuff that I can personally testify to; things I have personally experienced. But please remember that your own personal spiritual walk will not look like mine; we all have our own walk to experience for ourselves. Think of it as an example of what things can look like.

People who pass through Stage 4 and into Stage 5 – what Fowler calls ‘Conjunctive Faith’ – I believe, are the people who discover the true freedom in Christ that is spoken about so much but so rarely practised. Or, alternatively, if they are in the right kind of environment, they can go straight into Stage 5, and this does happen. Let’s say, for example, that there was no problematic doctrine, no religious straitjacket in a person’s life, then that person has very little to be set free from in terms of toxic spirituality. This might occur if someone has been brought up in an atmosphere of Grace instead of Legalism, or someone who comes to know the Lord later in life and has a clean slate which the Lord can write on.  Having said that, just about everyone has some sort of ‘toxic’ baggage about faith which needs to be dropped at some stage – but only when the Lord feels you are ready to do so. (You can’t rush this stuff). And that’s what is known as ‘repentance – changing your mind about things. In this way, the way of faith is a continual walk of repentance, because we are constantly being taught new things by the Spirit of God in our hearts, and changing our minds, our thought patterns, to conform to what She teaches us.

Anyway, in Stage 5, we are free to pick and choose; accept and disregard, ideas, doctrine, advice, comment or admonishment from others, or indeed from any source. That’s not to say that we don’t discuss things with others, or that we don’t let ourselves be influenced by others’ ideas or opinions; far from it! We accept  and take in the good stuff from others, while gently leaving behind those things we find unhelpful. In short, we can make up our own minds, think for ourselves, stand on our own two feet…and we are free to follow Jesus where He leads and to listen to His teaching without the constraints of others’ opinions. This sounds very much as if the believer is approaching something that looks like like spiritual maturity, doesn’t it? 😀 And this is really what I am talking about today.

And there is also the freedom that comes with this responsibility of thinking for ourselves. We as adults are now free to make our own choices: what we will eat tonight; what we will wear; whom we will hang out with; what we spend our time doing. In a similar way, a person in Stage 5 has developed the ability to accept the responsibility for his or her own beliefs, and is not bound by others’ opinions – or, at least, they are learning not to be so bound – and they can increasingly make their own choices. Do you go to the cinema? Yes, if you want to, you go. Do I listen to rock music? Yes, if you like it anyway. (I do). The person is free not only to make their own choices, but also to choose to live life in the Spirit. There is no need to worry about ‘straying into sin’ if a person is led by the Spirit. Freedom is only freedom when a person has a choice; if there is no choice, then there is no freedom. In fact, I would say that it is a logical progression from this that unless a person is free from living under Law, it’s actually not possible to live in the Spirit. Only once a person is free from the shackles, restrictions and indeed decisions  of following the Law, are they fully free to live life in the Spirit. So if in the past a believer was constrained by a set of ‘Rules of Expected Behaviour’, they have come through the (sometimes chaotic) Dark Night of Stage 4, and now they are in the process of learning how to live in that freedom that they have now they realise they have a choice.

And this is Stage 5. You can see that the person really has not ‘arrived’ at any kind of final stage of spiritual maturity despite me calling it the Stage of Spiritual Maturity – it’s more a stage of learning how to use that maturity and growing in it. Indeed, if someone thinks they have ‘arrived’, it’s a sure sign they have not!

Anyhow, have a listen to this song – ‘Where My Heart Will Take Me’, written by Diane Warren and performed here by Russell Watson:

Where My Heart Will Take Me

It’s been a long road
Getting from there to here
It’s been a long time
But my time is finally near
And I can feel the change in the wind right now
Nothing’s in my way
And they’re not gonna hold me down no more
No, they’re not gonna hold me down

‘Cause I’ve got faith of the heart
I’m going where my heart will take me
I’ve got faith to believe
I can do anything
I’ve got strength of the soul
And no one’s gonna bend or break me
I can reach any star
I’ve got faith
I’ve got faith, faith of the heart

It’s been a long night
Trying to find my way
Been through the darkness
Now I finally have my day
And I will see my dream come alive at last
I will touch the sky
And they’re not gonna hold me down no more
No, they’re not gonna change my mind

‘Cause I’ve got faith of the heart
I’m going where my heart will take me
I’ve got faith to believe
I can do anything
I’ve got strength of the soul
And no one’s gonna bend or break me
I can reach any star
I’ve got faith, faith of the heart

I’ve known a wind so cold, and seen the darkest days
But now the winds I feel, are only winds of change
I’ve been through the fire and I’ve been through the rains
But I’ve been fine

‘Cause I’ve got faith of the heart
I’m going where my heart will take me
I’ve got faith to believe
I can do anything
I’ve got strength of the soul
And no one’s gonna bend or break me
I can reach any star

‘Cause I’ve got faith of the heart
I’m going where my heart will take me
I’ve got strength of the soul
No one’s gonna bend or break me
I can reach any star
I’ve got faith
I’ve got faith, faith of the heart
It’s been a long road

This is the Stage of Faith where your heart is allowed to find its true expression, unshackled by Law, dogma and doctrinal strictures and limitations. You are free to be what you want to be, but, and here’s the beautiful irony, only because of what you have been through ‘before’, what you have built on that, and you’ve then put in its proper place. This is a position of faith where your wisdom has been learned through experience, both bitter and sweet, at the feet of the Master; sometimes consciously, sometimes not. And it is a living, dynamic faith, not a staid and static faith.

Because this faith enables us to respect others’ faith viewpoints as being valid for their holders at their stage in their spiritual walk; without seeing their ‘different’ beliefs as a threat to our own, because we are secure in our own faith, we actually appear more tolerant – because we are – and because our faith is stronger than ever; and not at the expense of pulling down someone else’s belief system. Because we have found that the freedom to question our own beliefs, without feeling lost or ‘unsaved’, also enables us to recognise that others’ faith can be different from ours because we have already questioned our own beliefs and are secure in why we believe what we do, because we have worked them out for ourselves. Our faith is therefore not under threat by people with a different faith. If you like, “The power of your own salvation does not depend on someone else’s faith being ‘wrong’”. And this isn’t to say that our beliefs can’t change; they can and they will. But the core Relationship with Jesus is the solidity that keeps us standing in the faith – whatever stage of our walk we are at.

In this Stage, it’s almost as if you are looking in at the Church from the outside, while all the time still being a part of it. You can see where all the tenets and beliefs come from; you can see the sources of the fears and problems. And all this is because your thoughts have been set free to hear the voice of the Spirit. Some might consider this a state of ‘enlightenment’; maybe it is, but the thing is that having had the blinkers removed by the detoxifying effect of Stage 4 (the ‘Dark Night’), you feel as if you can see it all so clearly. Paradoxically, you develop a childlike innocence and lightness of spirit, not weighed down by the constraints of Religion and those of its adherents, but the freedom to go, live, and be who you were always meant to be.

What to do with that knowledge, though, does require wisdom. One needs especially to avoid all kinds of being ‘puffed up’ by one’s own ‘spirituality’. As hinted at above, the spiritual maturity of a believer in this Stage is, usually by necessity, built on the Stages that preceded it. You need to know where you came from in order to have a firm foundation to know where you are going. And, for this reason, it is not good to disrespect those Stages you have come through, nor those who are still in those Stages, but to recognise their value in teaching you both the good and the bad in the Christian walk. But also don’t ever feel that you have to go back to that state of being. Because once you have tasted of the freedom of the Children of God, there is no going back, because the former things will likely look like a cage. You will never want to have your freedom taken away again, even though people may well try to steal your peace, kill your joy, and destroy your freedom (Jn 10:10). This is your freedom; no-one else’s, and it will not look like someone else’s freedom either, because we are all different and we were made that way.

Because of this, don’t follow someone else’s plan for your life; follow God’s plan. He speaks to your heart, so follow your heart. The answer to the question ‘What does God want me to do with my life’ is not found in the pages of the Bible, nor, in my experience, is it found in well-meaning ‘prophecies’ from people supposedly giving ‘direction’. It’s found in your own desires, your own personal longings for the things that God also wants.

Let God take the lid off your spirituality. Decide to go where your heart will take you. If it means a ‘dark night’, so be it. Don’t let them hold you down any more. Maybe its been a long road for you; maybe you’ve known a spiritual wind so cold and seen the darkest of days. But the winds of change are not here to bend or break you, they are here to give you a heart-based faith that you can indeed do anything, through Christ, Who strengthens you (Phil 4:13).

How can I put this any more effectively than this? Listen to the song again; be inspired by it, take it in and make it yours. Remember how I once said that some of the finest worship songs are actually secular ones? This one is no different. This is a song of the Spirit, it’s for you, and it’s for today.

This is freedom!


*Appendix: Fowler and Peck

Here are the more formal descriptions of this Stage from our old friends Fowler and Peck, as promised. It’s quite ‘heavy’, but it may increase your understanding a little.

In this table, we can see that Peck combines Fowler’s Stages 5 and 6 into one Stage IV. We will come on to this in a later instalment. For now, let’s take both Fowler’s and Peck’s table entries here together, because they do complement each other nicely.

Fowler:

“It is rare for people to reach this stage before mid-life. This is the point when people begin to realize the limits of logic and start to accept the paradoxes in life. They begin to see life as a mystery and often return to sacred stories and symbols but this time without being stuck in a theological box.”

Here is Fowler’s ‘formal’ definition:

Restless with the self-images and outlook maintained by Stage 4, the  person  ready for  transition finds  him-  or  herself  attending  to what may feel like anarchic and disturbing inner voices. Elements from  a  childish  past,  images  and  energies  from  a  deeper  self,  a gnawing  sense  of  the  sterility  and  flatness  of  the  meanings  one serves any or all of these may signal readiness for something new.

Stories,  symbols,  myths  and  paradoxes from  one’s  own  or  other  traditions  may  insist  on  breaking  in  upon  the  neatness  of  the  previous  faith.   Disillusionment   with   one’s   compromises   and  recognition that life is more complex than Stage 4’s logic of clear  distinctions  and  abstract  concepts  can  comprehend,  press  one  toward a more dialectical and multileveled approach to life truth.

[…]

Stage  5  Conjunctive faith involves the integration into self and  outlook  of  much  that  was  suppressed  or  unrecognized  in  the  interest  of  Stage  4’s  self-certainty  and  conscious  cognitive  and  affective  adaptation  to  reality.  This  stage  develops  a  “second  naivete” in  which  symbolic  power  is  reunited  with  conceptual  meanings.  Here  there  must  also  be  a  new  reclaiming  and  reworking  of  one’s  past.  There  must  be  an  opening  to  the  voices  of  one’s  “deeper  self.”  Importantly,  this  involves  a  critical  recognition  of  one’s  social  unconscious-the  myths,  ideal  images  and prejudices built deeply into the self-system by virtue of one’s  nurture  within  a  particular  social  class,  religious  tradition,  ethnic  group or the like.

Unusual  before  mid-life,  Stage  5  knows  the  sacrament  of  defeat  and  the  reality  of  irrevocable  commitments  and  acts.  What  the  previous  stage  struggled  to  clarify, in  terms  of the  boundaries  of self  and  outlook,  this  stage  now  makes  porous  and  permeable.

Alive  to  paradox  and  the  truth  in  apparent  contradictions,  this  stage  strives  to  unify  opposites  in  mind  and  experience.  It  generates and maintains vulnerability to the strange truths of those  who are “other.” Ready for closeness to that which is different and  threatening   to   self   and   outlook   (including   new   depths   of  experience  in  spirituality  and  religious  revelation),  this  stage’s  commitment  to  justice  is  freed  from  the  confines  of  tribe,  class,  religious community or nation. And with the seriousness that can  arise when life is more than half over, this stage is ready to spend  and  be  spent  for  the  cause  of  conserving  and  cultivating  the  possibility of others’ generating identity and meaning.

The  new  strength  of  this  stage  comes  in  the  rise  of  the  ironic  imagination-a  capacity  to  see  and  be  in  one’s  or  one’s  group’s  most  powerful  meanings,  while  simultaneously  recognizing  that  they are relative, partial and inevitably distorting apprehensions of  transcendent reality. Its danger lies in the direction of a paralyzing  passivity  or  inaction,  giving  rise  to  complacency  or  cynical  withdrawal, due to its paradoxical understanding of truth.

Stage  5  can  appreciate  symbols,  myths  and  rituals  (its  own  and  others’)  because  it  has  been  grasped,  in  some  measure,  by  the  depth of reality to which they refer. It also sees the divisions of the  human  family  vividly  because  it  has  been  apprehended  by  the  possibility  (and  imperative)  of  an  inclusive  community  of  being.

But  this  stage  remains  divided.  It  lives  and  acts  between  an  untransformed  world  and  a  transforming  vision  and  loyalties.  In  some  few  cases  this  division  yields  to  the  call  of  the  radical  actualization that we call Stage 6. [1]

Peck:

“People who reach this stage start to realize that there is truth to be found in both the previous two stages and that life can be paradoxical and full of mystery. Emphasis is placed more on community than on individual concerns.”

Peck’s ‘Stage IV: Mystic, communal’ is also fleshed out by Margaret Placentra Johnston thus:

“According to Peck, Stage IV of spiritual growth arises when the seeker in Stage III keeps seeking. They keep finding more pieces to the puzzle and the “larger and more magnificent the puzzle becomes.”

“Thus the person in Stage IV grows to value the beauty of the mystery of our existence over the definitive answers provided by the traditional church. They speak of unity and connectedness and are not into magnifying the differences that divide us. Peck’s StageIV of spiritual growth is roughly equivalent to the “Mystic” stage [as described on her website].” [2]

Peck is also paraphrased by Schwartz:

“Stage IV: Mystic, communal. Out of love and commitment to the whole, using their ability to transcend their backgrounds, culture and limitations with all others, reaching toward the notion of world community and the possibility of either transcending culture or — depending on which way you want to use the words — belonging to a planetary culture. They are religious, not looking for clear cut, proto type answers, but desiring to enter into the mystery of uncertainty, living in the unknown. The Christian mystic, as with all other mystics, Sufi and Zen alike, through contemplation, meditation, reflection and prayer, see the Christ, Gods indwelling Spirit or the Buddha nature, in all people, including all the Buddhists, Hindus, Muslims, Jews and so forth, recognizing the connectedness of all humanity with God, never separating oneself from others with doctrine and scripture, recognizing that all scripture acts as fallible pointers of inspiration, unable to capture the essence of truth outside of both human perception and the linguistic straight jacket of language and articulation, that is, the words of fallible men who experienced the nature of God, that of their inner true self, and attempted to record their experience in human words, words constrained by the era of time they were written in that became compromised the moment they were penned and are further removed from objectivity when interpreted by us, fallible men and women who read them.

“It is as if the words of each had two different translations. In the Christian example: “Jesus is my savior,” Stage II often translates this into a Jesus who is a kind of fairy godmother who will rescue us whenever we get in trouble as long as we remember to call upon his name. At Stage IV, “Jesus is my savior” is translated as “Jesus, through his life and death, taught the way, not through virgin births, cosmic ascensions, walking on water and blood sacrifice of reconciliation – man with an external daddy Warbucks that lives in the sky – mythological stories interpreted as literal accounts, but rather as one loving the whole, the outcasts, overcoming prejudices, incorporating inclusiveness and unconditional love, this, with the courage to be as oneself – that is what I must follow for my salvation.” Two totally different meanings.

“The Stage IV – the mystic – views the conception of “back sliding” as the movement away from the collective consciousness and true inner nature, returning to the separate self – the ego, as opposed to the Stage II – the fundamentalist, whose conception of “back sliding,” is the movement away from mapped out security to that of chaos. Two totally different views.” [3]


References quoted in this article:

  1. James W. Fowler, “Stages of Faith – the Psychology of Human Development and the Quest for Meaning” – Harper San Francisco, a division of HarperCollins Publishers, 1995, p. 183, 197-8
  2. Margaret Placentra Johnston, James Fowler’s Stages of Faith Development, from her website “Spiritual Development Concept“.
  3. Richard Schwartz, “The Stages of Spiritual Growth“, an abridged online version of the relevant sections of M. Scott Peck’s book ‘A Different Drum‘.
10

Spirit Of The Lord

It’s been a while since I’ve shared a Terry MacAlmon worship song, so let’s put that right straight away, shall we?

Here’s a lovely number from Terry’s album ‘Visit Us‘. The song is called ‘Spirit Of The Lord’, and is very simple to sing. I’ll put the song up first and the lyrics, and then make a few observations on it.

Spirit of the Lord, fall on me
And fill me with Your glory
Spirit of the Lord, set me free
And fill me with Your glory

Terry MacAlmon is not only a talented and anointed worship leader, but he’s probably the best worship pianist I have ever heard. His style is flexible and varied, resembling a cross between a classical concert pianist style and a lounge music style. But the technical aspect which many will not notice – because he does it so masterfully – is the accompaniment style, which Terry’s songs work particularly well with. What do I mean by this? Well, if you listen closely, you’ll hear that when people are singing, he keeps the piano simple, but in between each line of the lyrics, he carries the music along and leads the congregation into the next line with a musical (piano) flourish, bridge or interlude – even though it’s only a couple of seconds long. So, for example, ‘Spirit of the Lord, set me free’ – (di-da-dumm – di di) – ‘and fill me with Your glory’. I hope that makes sense; if not, listen to it again and pay particular attention to the music when people are not singing the lyrics; where the lines of the lyrics are linked together by music. That’s what I’m talking about, and that’s showcasing the real talent of accompanying people in their singing – it’s providing a strong rhythm and key lead so that the people feel confident to sing out and that they won’t be left ‘hanging’ or – the opposite – come in too early. Worship leading is not just about hearing the Spirit directing what He wants you to play, say or do next – or indeed not play, say or do – but it’s about making sure that the people in the congregation feel as confident and secure as possible in their singing. Believe it or not, many people find it hard to sing in public, and having a skilled accompanist on the lead instrument makes a huge positive difference to their worship experience.

What I particularly love about this track is Terry’s imaginative use of the piano during the accompaniment ‘links’. The musical phrases he uses – yes, they really are called ‘phrases’! – are varied and uplifting, and in fact I think this is one of his best tracks yet for showcasing this talent that he has.

00

Arms of Love

This entry is part 25 of 29 in the series Fiona

This piece is being published on what would have been Fiona’s 54th birthday.

Over the seventeen months since I lost my wonderful wife Fiona to cancer, I have been comforted in my grief and sadness by many different people and activities. I have always found writing my blog to be a great therapy, as it allows me to crystallise my ideas, thoughts, feelings and discoveries on to ‘paper’ so that I can make sense of them, and also help others cope with their grief too in their own way. I have friends who are always there for me. I have flying, which is simply out of this world. I have my family, who have been a tremendous support. I have had my work, who have been really supportive too, and I love to lose myself in my work and go to deep concentration levels where everything else fades away and I don’t even hear people speaking to me. I have had the help of an amazing lady who was, until a few weeks ago, my grief counsellor from the local hospice. And most of all, overarching all of this, working through these channels, yes, but also comforting me directly, has been my friend Jesus.

Most of the time, particularly during that first year after losing Fiona, I felt a constant closeness to Jesus that I had never felt before. Sure, I have always been close to Him, but not like that. I felt as if He was wrapping me up in His Arms of Love. Much of the time, it literally felt like a soft, heavy, warm cloak being held around my shoulders. It’s because He knew exactly what I needed, and He met me at that point of need, as He always does.

Today I would like to share a song that expresses this particularly well, and it says everything I want to say to Him in gratitude for the way He looks after me. Here it is: Craig Musseau’s ‘Arms of Love‘, Vineyard (1991), sung here by Brian Doerksen. Fiona loved this song, and when we lived in Leeds, I used to play it in worship meetings a lot and it reminds me of those times. She’d have been so glad to know how much this song means to me now, being able to sing these grateful words from a place of total reality.

Beautiful.

I sing a simple song of love
To my Saviour, to my Jesus
I’m grateful for the things You’ve done
My Loving Saviour
My Precious Jesus

My heart is glad that You’ve called me Your own
And there’s no place I’d rather be
Than in Your Arms of Love
In Your Arms of Love
Holding me still, holding me near
In Your Arms of Love

 

20

Wings

This entry is part 19 of 20 in the series Beautiful Destroyers

This instalment of ‘Beautiful Destroyers’ is a little different, as I am not showcasing a particular aircraft. Instead, I’m looking at the origins of military aviation and also sharing a lovely piece of music. Enjoy!

As both a military historian and an aviator, I am of course passionately interested in the use of aircraft in military operations – or ‘military aviation’. The history of the military use of aircraft is in itself a fascinating tale of high-end technology (military aircraft have always been at the forefront of technological development), courage, technical skill, determination, tactical development, trial and error, mistakes and success. Of course, warfare is an unforgiving crucible, and because of this it is one of the major motivating factors in the development of technology of all kinds. Military aviation is a prime example of this, if not indeed the pinnacle of modern military technology. It was realised fairly early on in World War I (1914-1918)* that control of the skies was of paramount importance in tactical (and later strategic) warfare. This continues to be axiomatic in modern warfare; he who controls the skies, controls the battle.

But of course it had to start somewhere. The first recorded use of aircraft in military operations was (as far as I know) the use of manned observation kites by the Chinese in the late sixth century – about 594CE. Hot air balloons were first used decisively by the French in 1794; however, although balloons continued to be used for observation purposes for long after, these kites and balloons were of course tethered to the ground and couldn’t really go anywhere. Military aviation therefore really only came into its own during World War I, because with the advent of powered aircraft like aeroplanes and airships, people could actually go more or less where they wanted to go in the skies, rather than having to stay in the same place; this operational flexibility, of course, meant that virtually anything was possible from then onwards. But even then, fully-dirigible (that is, mobile and steerable) aircraft were still in their infancy; airships had been around for only two or three decades, and as for aeroplanes (or ‘flying machines’ as they were often called back then), the first powered aeroplane flight was only in 1903, so the technology was still very much experimental, and flying aeroplanes was very much a hit-and-miss affair (in other words, dangerous) because of this. So it was an historical period quite unlike any other as far as military aviation was concerned.

Having just finished an excellent book on British aerial combat operations in WWI, Fighter Heroes of WWI, by Joshua Levine, I bought the DVDs of the 1970s classic BBC series ‘Wings‘, which for some reason I was completely unaware of at the time (that is, in 1974-76 when it was being shown on TV) – which is a shame as it would have been right up my street. It’s an absolutely superb series with excellent characterisation, engrossing story writing, great acting, historical accuracy and (most importantly to me!) superb and authentic flying sequences. Anyone interested in the early development of military aviation will not fail to be captured by this series; it’s simply brilliant.

And the theme music is gorgeous. In fact, despite my lengthy preamble, this music was actually the main inspiration for this post today – it is simply lovely. It has a nostalgic ‘music-hall’ feel to it, with a beautiful chord structure and bass-line, and above all, a catchy and poignant melody. And I recommend you listen to it on headphones if possible, in order to catch all the lovely nuances.

So, here we are – the theme music from ‘Wings‘, composed by Alexander Faris:

Gorgeous. Hope you liked it!

[Edit]

The theme music for the series ‘Wings‘ was released as a 45rpm vinyl record in 1977, and since first writing this article, I have managed to buy one. You can pick up a copy of your own from Amazon if you like; click the cover graphic below to go to the sales page:

In case they have sold out, here is the title track as an orchestral arrangement, digitised from the A-side of the record:

During one of the early episodes in Series 1, some of the characters in the screenplay can be heard singing a military-style pub drinking song to the same tune. Since I like to have the lyrics for any songs I really like, I was delighted to find that the B-side of the record contained this vocal arrangement, entitled ‘A Sussex Lad’, which is the same song that the characters sang in the episode. The whole feel of the song is just so World War I; it’s a perfect song for the series:

And finally, here are the lyrics so you can sing along:

I’m a gentle lad from Sussex
With a heart that’s light and free
So a frown did pass across my brow
When my girl said to me
“They are fighting on the land, Jack,
And they’re fighting on the sea
Will you be a sailor-boy
Or will you join the New Army?”

I’m a loyal lad from Sussex
With a heart that’s brave and free
But the Sergeant-Major’s language, Lord!
It simply horrified me!
And I would not joint the Navy
For I’ve never liked the sea
So I put my brave heart to the test
And joined the RFC

I go skimming the tops of the mountains
And soaring all over the sea
I think of my girl as I’m flying
And I know she is thinking of me

I’m an airborne lad from Sussex
With a heart that’s flying free
I’ve a pair of wings upon my chest
My girl’s so proud of me
They can keep the Royal Navy
They can […] the infantry
For the sky is now my pasture
It’s an airman’s wings for me!

I’m a daring aviator
And I fly so skilfully
But my aeroplane lacked common sense
And crashed into a tree
Now my wings are lying broken
And my girl she weeps for me
For I’ve left this world and God’s unfurled
These angels’ wings for me


The inclusion of this blog post in my series ‘Beautiful Destroyers’ was apt, I thought, because it describes the very early origins of military aviation. Without the tireless efforts of those pioneers of the past, our ‘Beautiful Destroyers’ would never have existed.


The aeroplane in the header picture is a flying replica of a Royal Aircraft Factory BE2c, the mainstay of the Royal Flying Corps in 1915, when the series ‘Wings’ is set. A very stable aeroplane, and ideal for its designed purpose of reconnaissance (being a stable camera platform), it was not really designed to fight other aircraft; the idea of aeroplanes fighting each other hadn’t really been thought of when this aeroplane was designed! The image is a direct screenshot from the opening titles of Series 1 of ‘Wings’. I’m not sure there are any replicas still flying nowadays; remember this series was made in the mid-1970s 🙂


*Hostilities in World War I, known at the time as the ‘Great War’, ceased when the Armistice was signed on the 11th November, 1918. The War was formally ended in June, 1919, with the Treaty of Versailles. This explains why the dates on some war memorials say 1914-1919.

10

The Glory of Your Presence

We will go into his tabernacles: we will worship at his footstool.
Arise, O Lord, into thy rest; thou, and the ark of thy strength. (Ps 132:7-8 KJV)

Here’s a gorgeous song by Steven Fry, performed here by the brilliant Terry MacAlmon –
‘O the Glory of Your Presence’.

In the presence of God, in the glory of His Presence, the very air buzzes and sparkles. For those who have the eyes to see, the radiance of God’s Presence is real and tangible. In that Presence there is healing; there is forgiveness; there is reconciliation; there is peace and there is Love. There is simply nothing like being in God’s Presence.

There’s a lot of fakery involved in some worship services. Some people actually try to ‘duplicate’ the Presence of God with things like quiet background music, lots of hype, whipping up the crowd, that sort of thing. But that’s not even a poor substitute. The Presence of God is unmistakable; once you have tasted of that Presence, nothing else will ever do; nothing can take its place.

Have a listen to this lovely song; ask God to make Himself tangible to you as you listen, and as you lift up your heart to Him. Bask in His Presence. Bask there long after the music has stopped! This is not hype; this is not me trying to ‘whip up’ enthusiasm. I have never once done that in all my years of worship leading, although I have seen it being done (and it has a certain emetic effect on me!) No, this is simply a ‘vehicle’; an ‘aid’, to help your spirit rise up in worship, and God will respond, because He loves it. He loves the song and He loves you; He loves your worship and He loves it when you enjoy it too:

O the glory of Your presence
We Your temple give You rev’rence
So arise to Your rest
And be blessed by our praise
As we glory in Your embrace
As Your presence now fills this place

Sadly, some people miss the point of the lyric, ‘So arise to Your rest’. Sometimes they even think that it can’t be written right, and they re-write the lyric from the third line as ‘Come and rise from your rest’ or similar, as if God has to get up off His behind and get into the music. But it’s not that at all. A simple examination of the context of the source verses in Psalm 132:7,8 shows that it’s about God coming into His resting place; His temple as it was back then, and along with His people. And [to] the ‘Ark of Thy Strength’; the Ark of the Covenant, which was supposed to represent God’s Presence. In other words, then, for God to come to the place where He belongs.

But in our time, we have the Holy Spirit within us; we are God’s Temple. We don’t need an Ark anymore. God’s resting place is with His people; (Ezek 37:27, Rev 21:3). Asking God to ‘arise to Your rest’ is simply asking Him to ‘inhabit the praises of His people’ (Ps 22:3 KJV); to come and take up His residence. Of course, He’s already there; the thing is that you become more aware of Him as you worship because you turn your spirit and your heart towards Him. And so we become aware of His power and His Presence. God is where He belongs; He has indeed come into His resting place.

Wow! What better reason to worship?

 

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Thirty-Four Years

This entry is part 22 of 29 in the series Fiona

Today would have been Fiona’s and my 34th wedding anniversary. Half a lifetime ago, I married the most beautiful girl in the world, and for me it had been love at first sight. I can’t adequately express how blessed I am to have been married to this magnificent lady for nearly 33 years, before I lost her to cancer in October 2016.

We had a particular song, which was a lovely little number called ‘Where you go, I will go’, which we thought of as ‘our song’, and I featured it on my blog this time last year to celebrate what would have been our 33rd wedding anniversary. I want to feature it again today, because I still believe it. And it’s still Our Song.

Where you go, I will go.

Where she’s gone, I will go, eventually.

And there we will meet again.

Where you go, I will go
Where you lodge, I will lodge
Do not ask me to turn away, for I will follow you
We’ll serve the Lord together, and praise Him day to day
For He brought us together, to love Him and serve Him always

 


Header photo shows Ellie, Fiona and I with our gorgeous German Shepherd, Zeus, at Meadow Lakes Holiday Park, St. Austell, Cornwall, August 2013, where we were staying in our caravan. This was where we were holidaying when we first noticed the symptoms of the cancer.

Zeusy was a huge dog, but he wasn’t as big as the camera angle makes him look in this picture!

 

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Exodus

I’ve always said that there’s no instrument quite like the piano. And it’s by far my favourite instrument to play.

And perhaps the most colossally brilliant pianist on the Christian scene at the moment is the amazing Terry MacAlmon. I love his style, I love his heart for worship, and I love his anointing and skill.

In this excellent demonstration of Terry’s ability, he plays the epic theme from the 1960 movie ‘Exodus’, original score by Ernest Gold. Note how he is offering what some would call a ‘secular’ score as an act of worship; some people wouldn’t be able to cope with that, but I personally have played secular pieces in worship; indeed I consider John Denver’s ‘Annie’s Song‘ to be one of the finest worship songs ever written. Segueing then into his own song, ‘You Deserve the Glory‘, which I have shared on my blog before.

Let your spirit be lifted by this magnificent music – ‘secular’ or not – and enter into the worship that Terry takes you into so easily. I’ve put the lyrics to ‘You Deserve the Glory‘ below the video so you  can join in if you want to.

Enjoy!

You deserve the glory
And the honour
Lord, we lift our hands in worship
As we lift your Holy name

You deserve the glory
And the honour
Lord, we lift our hands in worship
As we lift your Holy name

For You are great
You do miracles so great
There is no one else like You
There is no one else like You

For You are great
You do miracles so great
There is no one else like You
There is no one else like You

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The Power

One of my favourites of all of Don Francisco’s songs is ‘The Power‘. Telling the story of the coming of the Holy Spirit at Pentecost, it speaks of a massively supernatural experience for an un-named member of the group of Jesus’s friends who met together on that morning.

And something that always strikes me with this story is that those guys were just ordinary people, just like you and I. God was fulfilling His promise on that day, just as Peter said (Acts 2:17-21) when he quoted the prophet Joel (Joel 2:28-32), “…I will pour out My Spirit on all people…”

All people. That includes you and me! There is only one Holy Spirit. He’s the same now as He was then. There’s no ‘junior’ or ‘budget model’ of the Holy Spirit. That same Spirit that came on Pentecost is exactly the same One Who comes to us now; He’s the One Who lives in us and guarantees our inheritance as saints of God (Eph 1:13-14; 2Cor1:22). Now if that’s not completely awesome, then I don’t know what is. The indwelling, tangible Presence of God, living inside ordinary people like you and me. The incredible assurance of knowing that we belong to God – our inheritance as saints is guaranteed. It’s almost unbelievable, isn’t it? But it’s true. I and many other believers can testify to that awesome Power living within us and giving Life to us in our mortal bodies, and giving us that assurance that we are indeed God’s children (Romans 8:16). Paul is not talking about some bookish theory or idea; he’s not talking about stuffy, dusty doctrine, he’s talking about a real, fizzing, bubbling, tangible reality for which all the doctrines in the world are simply no substitute. This is why nothing that anyone says to us can shake us from that knowledge – because it’s real. Some may say, ‘Ah, but the Bible says…’ or ‘Ah but in our church we don’t believe that…’ Well that doesn’t change what I know, and it does not change the believer’s assurance. It simply can’t.

So, have a listen to this song. Let it minister this fabulous truth to your spirit: If the Spirit of Him Who raised Christ from the dead dwells in you, then He Who raised Christ from the dead will give life to your mortal bodies because of His Spirit Who lives in you. (Romans 8:11) Let this truth minister to you in all its incredible reality and power.

This is real.

This is you

This is now

It was a crowd of mixed emotions
That walked back to the room
But steadfastly we set all our minds to prayer
Waiting together with His relatives and friends
Well above a hundred of us there
Some of us He’d healed; some He’d raised up from the dead
Some He’d called as He went walking past
We recounted all the stories, with no detail left unturned
Determined with a will to make it last

Outside in the street, the Feast’s cacophany began
As crowds from all across the world convened
Flowing upwards to the temple, with their firstfruits in their hands
Unaware of all that we had seen
Dawn turned into daylight, just like all the days before
And again we lifted hands to God in prayer
And though no-one had imagined what the morning held in store
Still all of us felt something in the air

Then faint at first, we heard a sound that slowly grew to more
Like a tempest far away upon the sea
Descending ’til it filled the house with an unabated roar
Like an army’s final shout of victory
And right there in the midst of us
From nothing burst a flame
And tongues of fire rose high into the air
Then separating, settled down on each of us the same
And at once the sounds of praise were everywhere

And the flood of joy inside me then was more than I could bear
Like peace and laughter joined into a whole
‘Cause the power that came from Jesus that we’d felt for all these years
Was flowing deep and wide within my soul

Praise you, Jesus, for your Holy Spirit
Praise you, Jesus, seated on the throne
Praise you, Jesus, for the power you’ve given
Praise and glory unto you alone

Praise you, Jesus, for your Holy Spirit
Praise you, Jesus, seated on the throne
Praise you, Jesus, for the power you’ve given
Praise and glory unto you alone

Praise you, Jesus, for your Holy Spirit
Praise you, Jesus, seated on the throne
Praise you, Jesus, for the power you’ve given
Praise and glory unto you alone

– Words and music by Don Francisco, used here with his kind permission

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Fly to Jesus

This entry is part 19 of 29 in the series Fiona

Today it’s a year since I lost my wonderful wife, Fiona.

How does one mark a whole year since we lost such an incredible lady?

Well, I can think of no better way to honour her memory than to post a number sung by our beautiful and supremely talented daughter, Ellie Rosie (that’s her stage-name).

Here’s a picture of Ellie singing at Fiona’s and my ‘wedding’, in December 2014, when we renewed our vows:

Fiona had an astonishing singing voice, and Ellie’s is equally astonishing. Here Ellie covers a beautiful song – Come to Jesus, by Chris Rice – which Ellie discovered on Hillary Scott’s album ‘Love Remains‘. I think this song sums up Fiona’s life perfectly, from her initial salvation, through all she experienced in her life, and right up to where she is now – ‘On Glory’s Side’. Fiona has indeed flown to Jesus and rests in His arms. And she would have loved this song.

 

Take it away, Ellie:

 

Weak and wounded sinner
Lost and left to die
Raise your head, for love is passing by
Come to Jesus
Come to Jesus
Come to Jesus and live!
 
Now your burden’s lifted
Carried far away
Precious blood has washed away the stain,
Sing to Jesus
Sing to Jesus
Sing to Jesus and live!
 
And like a newborn baby
Don’t be afraid to crawl
And remember when we walk
Sometimes we fall, so
Fall on Jesus
Fall on Jesus
Fall on Jesus and live!
 
Sometimes the way is lonely
And steep and filled with pain
So if your sky is dark and coursed with rain,
Cry to Jesus
Cry to Jesus
Cry to Jesus and live!
 
When the love spills over
And music fills the night
And when you can’t contain your joy inside,
Dance for Jesus
Dance for Jesus
Dance for Jesus and live!
 
With your final heartbeat
Kiss the world goodbye
Go in peace, and laugh on Glory’s side,
Fly to Jesus
Fly to Jesus
Fly to Jesus and live!
Fly to Jesus
Fly to Jesus
Fly to Jesus and live!

 

– ‘Come to Jesus’, by Chris Rice

 

Vocals, piano and keyboards by Ellie Rosie

 


Header picture is of Fiona in 1987, at the age of 23, not long after our first child, David, was born.
50

Dwelling Places

This entry is part 18 of 29 in the series Fiona

The heart of worship is to draw near to God; to see more of Him; to desire strongly His Presence, to kneel (literally or figuratively) before Him and tell Him how much we love Him.

It’s eleven months since we lost my lovely wife Fiona. And Fiona’s heart was always that of a worshipper. Worship was our way of life, staying close to God and singing His praises whenever the opportunity presented itself 🙂 As I said here, basically if there was any excuse for us to break into song, we’d be singing and making music in our hearts to Jesus.

As I have already shared in that article above, Fiona gave me this lovely Scripture from her favourite Bible translation, The Message – because she said it reminded her of me!:

“Don’t drink too much wine. That cheapens your life. Drink the Spirit of God, huge draughts of him. Sing hymns instead of drinking songs! Sing songs from your heart to Christ. Sing praises over everything, any excuse for a song to God the Father in the name of our Master, Jesus Christ.” (Eph 5:18-20 (Message))

And I love that – ‘Any excuse for a song….’ and that’s just what we were like together.

Fiona is, of course, now in that place where she can worship with the full, yet still increasing, knowledge of what God is really like. She is in His Dwelling Place – the place where He is – and likely worshipping her heart out. It’s what she did, and I have no doubt that it’s what she does. Worship is not only what keeps me going, but it’s what I believe Fiona has gone to. Have you any idea what a tremendous comfort that is to me in my bereavement?

And so, once again, the brilliant Terry MacAlmon comes to my aid. As I listen to this beautiful worship song, Dwelling Places, once again I am transported into God’s Presence. How lovely indeed is His Dwelling, because that’s where He is. So in a very real sense, as my heart rises up in worship with this song, I am worshipping with the angels and with Fiona in the Throne Room of Heaven. And there’s no place I’d rather be. Sitting at Jesus’s feet and basking in His Presence.

So, here’s the lovely song ‘Dwelling Places’, by Miriam Webster, sung by Terry MacAlmon, Shauna Chanda and Ruth Ann Johnson. Be blessed:

Lovely are Your dwelling places
Thirsty I come after You
Jesus, my joy, my reward
Your love’s restoring my soul
Now I’m Yours and You are mine
And from my heart a song will rise

I love You, I love You, I love You
I love You, I love You, I love You
I love You, I love You, I love You
And my heart will follow wholly after You

Jesus, there is none beside You
Righteous, ruler of the earth
Nations will come and bow down
Name over all names
I sing You praises
And all that I can say to You is

I love You, I love You, I love You
I love You, I love You, I love You
I love You, I love You, I love You

And my heart will follow wholly after You

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